The recital\u2019s name catches one\u2019s attention immediately, it refers to a piano composition of the same name by Olivier Messiaen (1908\u20131992). He composed the piece in 1948. Its name is adapted from Sanskrit and stands for the rhythmic-melodic unit which the piece opens with.<\/p>\n
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Besides Messiaen\u2019s work, the music of Alban Berg, Arnold Sch\u00f6nberg, Pierre Boulez and Gy\u00f6rgy\u00a0Kurt\u00e1g is a part of the recital.<\/p>\n
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Messiaen, among other things, reflects the issue of time: \u201cFirst of all, I love time, because it’s the starting point of all creation. Time presupposes change (and therefore Matter) and movement (and therefore Space and Life). Time makes eternity comprehensible to us by contrasting with it. Time ought to be the friend of all musicians.\u201d<\/p>\n
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Supported using public funding by Slovak Arts Council in the form of a\u00a0stipend.<\/p>\n
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Photo: Martin Hrubo\u0161<\/p>\n","protected":false},"excerpt":{"rendered":"
The recital\u2019s name catches one\u2019s attention immediately, it refers to a piano composition of the same name by Olivier Messiaen (1908\u20131992). He composed the piece in 1948. Its name is adapted from Sanskrit and stands for the rhythmic-melodic unit which the piece opens with.<\/p>\n","protected":false},"author":1,"featured_media":2397,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[14],"tags":[],"class_list":["post-3698","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"acf":[],"yoast_head":"\n